My name is Zainab “Zai” Aliyu and I'm a nigerian-american artist and cultural worker living in Lenapehoking (Brooklyn, NY). My work contextualizes the cybernetic and temporal entanglement embedded within societal dynamics to understand how all sociotechnological systems of control are interconnected, and how we are all materially implicated through time. I draw upon my body as a corporeal archive and site of ancestral memory to craft counter-narratives through built virtual environments, printed matter, video, archives, installation and community-participatory (un)learning. more...
Advisor
for the
L.A.B. Residency at The Kitchen
since Nov 2022 · New York, NY
Fellow
at the
Future Imagination Collaboratory at NYU Tisch School of the Arts
since Jan 2022 · New York, NY
Directing design and creating archives for moving image and time-based media
for the
African Film Festival at the Film at Lincoln Center
since Feb 2020 · New York, NY
Co-directing
an
experimental school supporting interdisciplinary study in art, code, hardware and critical theory called the School for Poetic Computation
since Jan 2020 · New York, NY
[Publication]
"From the Sasha into the Zamani: Death as a Moment of Radical Continuity" published by Logic(s) Magazine (Columbia University), Edited by
J. Khadijah Abdurahman and Xiaowei R. Wang
May 2023 · internet · print
[Exhibition]
Solo presentation*
"From red dust to Black clay" at Film at Lincoln Center, Curated by
Dara Ojugbele, Mahen Bonetti and Farima Kone Kito
May 2023 · New York, NY
[Residency]
Conscientizações Críticas Tecnológicas (Technologies of Critical Conscientization) at the Center for Arts, Design, and Social Research, Invited by
Dalida María Benfield, Ph.D.
Apr 2023 — May 2023 · São Paulo, Brazil
[Artist Talk]
p5.js Community Salon at NYU ITP, Invited by
Qianqian Ye and Sonia Choi
Mar 2023 · New York, NY
[Residency]
Aktuelle Architektur der KulturImages (AADK Spain)
Mar 2023 · Murcia, Spain
[Exhibition]
"Pretty Good Privacy Postcards" and "Grande Coragem"
in
Linguagem Manual / Manual Language at Buinho, Curated by
Carlos Alcobia and Mónica Reis
Feb 2023 · Messejana, Portugal
[Residency]
Buinho
Feb 2023 · Messejana, Portugal
[Screening]
"google my memories" at Microscope Gallery, Curated by
Yiran Xu
Nov 2022 · New York, NY
[Interview]
On how we might interact with data in more liberatory ways that divest from the monopoly of big data in Friends of Friends , With
Hester Underhill
Oct 2022 · Berlin, Germany
[Exhibition]
Solo presentation*
"freedom is a durational practice" at the Film at Lincoln Center, Curated by
Dara Ojugbele, Mahen Bonetti and Farima Kone Kito
May 2022 · New York, NY
[Artist Talk]
p5.js Access Day, Invited by
Dorothy Santos and Qianqian Ye
May 2022 · internet
[Class]
Dark Matters: on Blackness, Surveillance and the Whiteness of the Screen at the School for Poetic Computation, In collaboration with
American Artist
Mar 2022 — May 2022 · internet
[Exhibition]
"Affirmations for my Existence" and "google my memories"
in
Assembly, Alchemy, Ascension at Anna-Maria and Stephen Kellen Gallery, Curated by
JAZSALYN, Shameekia Shantel Johnson, and Yvonne Mpwo
Feb 2022 — Mar 2022 · New York, NY
[Artist Talk]
WordHack at Babycastles, Invited by
Todd Anderson
Feb 2022 · internet
[Publication]
A community resource for learning about ancestral history within the context of biometric surveillance / DNA tracing technology
called
AncestryandMe: DNA Processing Kit presented on Montez Press Radio, In collaboration with
American Artist
Nov 2021 · internet
[Lecture-performance]
"Death as a Moment of Radical Continuity"
during
Digital Networks, Aesthetics and Black Death at Black Portraitures: Absent/ed Presence, Invited by
Safia Siad
Oct 2021 · Toronto, Canada
[Program]
An experimental curriculum exploring the history and poetics of math, critical approaches to biometric surveillance, the craft of reading and writing, being loving and loved online and the augmenting of reality,
called
COCOON at the School for Poetic Computation
Jul 2021 — Aug 2021 · New York, NY
[Class]
AncestryandMe: Critical approaches to DNA analysis and biometric surveillance at the School for Poetic Computation, In collaboration with
American Artist
Jul 2021 — Aug 2021 · internet
[Exhibition]
"google my memories"
at
Black Beyond: Origins, Curated by
JAZSALYN and Shameekia Shantel Johnson
Jun 2021 — Nov 2021 · internet
[Commission]
Conceptual consultation
for
"Shaper of God" commissioned by Kadist, Invited by
American Artist
Apr 2021 · internet
[Lecture-performance]
"Death as a Moment of Radical Continuity” and the transformative processes of textile and code
during
Interweaving Poetic Code at CHAT (Centre for Heritage, Arts and Textile), Invited by
Takahashi Mizuki and Bruce Li
Apr 2021 · Hong Kong, China
[Publication]
“Constellation self-portrait”
featured in
Code as Creative Medium: A Handbook for Computational Art and Design published by The MIT Press, By
Golan Levin and Tega Brain
Feb 2021 · print
[Panel]
Public reading
of the
Dictionary of Dark Matters on Montez Press Radio, In collaboration with
American Artist
Jan 2021 · New York, NY
[Publication]
"Affirmations for my Existence" published by Reading Machines, Curated by
Tiger Dingsun
Jan 2021 · internet
[Publication]
“Limitlessness and Limitations: Defining Dark Matters” a musing on mutual histories and knowledge assemblages
for
Are.na Annual: On Tending published by Are.na, Edited by
Meg Miller
Dec 2020 · internet · print
[Class]
Guest Critic
for
"_____ in residence" Residency at Babycastles
Dec 2020 · New York, NY
[Publication]
A collaborative people's dictionary on surveillance, racial capitalism and technology
called the
Dictionary of Dark Matters published by School for Poetic Computation, In collaboration with
American Artist
Oct 2020 · internet · print
[Publication]
Revolution & Us: A Pocket Guide to Direct Action available at Printed Matter, Supported by
BUFU By Us For Us and Wendy’s Subway
Jun 2020 · New York, NY · print
[Class]
Guest Critic
for
Major Studio, MFA Design & Technology at Parsons, The New School, Invited by
Fei Liu
May 2020 · New York, NY
[Class]
Dark Matters: on Blackness, Surveillance and the Whiteness of the Screen, In collaboration with
American Artist
May 2020 — Jul 2020 · internet
[Workshop]
Dark Spirals: Schematics for Collective Sense-Making, Learning and Dreaming (001: FESTAC'77) at the The Africa Center, In collaboration with
Tsige Tafasse
Feb 2020 · New York, NY
[Exhibition]
Curator for "Code and Power"
during
Seven Years of Poetic Computation at the Westbeth Gallery
Jan 2020 · New York, NY
[Publication]
Dark Matters Zine, 3rd Edition archived at the Museum of Modern Art Library, In collaboration with the
School for Poetic Computation
Dec 2019 · New York, NY · print
꩜ full cv available upon request
traversing borders to fabricate an infinite, pan-African chorus of shared somatic vibrations Freedom is a Durational Practice
exploring privacy as intimacy through print ephemera, refigured colonial sculptures, and a web-based decryption tool Pretty Good Privacy Postcards
interrogating the cultural value systems that are encoded into the objects that we build Death as a Moment of Radical Continuity
challenging established relationships between reader, text, and authorship Affirmations for my Existence
situating technology within a diasporic imaginary, to explore the ways in which machines can mediate the affects of displacement, human mobility and (re)settlement Google My Memories
self-publishing an assemblage of knowledge on surveillance, racial capitalism and technology, established within mutual histories Dark Matters Dictionary
supporting interdisciplinary study in art, code, hardware and critical theory School for Poetic Computation
questioning the memorabilia of capitalist labor — residue from the xerox office regime that is reminiscent of the technologies that dictate the conditions of our world Dark Matters Zine 3.0
learning about ancestral history within the context of biometric surveillance/DNA tracing technology AncestryandMe: DNA Processing Kit
responding urgently against ongoing state violence, in the form of a toolkit on digital self-defense, anti-surveillance and direct action care Revolution & Us
foregrounding film as a conduit for diaspora reconnection with radical potential African Film Festival
unpacking the notion of creeping normality to reflect upon perennial social and environmental degradation Erode: On Creeping Normality
leveraging spatial storytelling to examine the effects of systemic loss on the identity of a community Hazelwood Memorial
analyzing notions of identity and presentation of self in physical realms and virtual contexts Dog Cat Fish